Imaginary Irelands in Ciaran Carson’s sonnet Cycle "The Twelfth Of Never"

Authors

DOI:

https://doi.org/10.22364/BJELLC.02.2012.08

Keywords:

the Italian sonnet, aisling, interplay between the Irish and English poetic traditions, dismantling of the metanarrative of Irish history

Abstract

Ciaran Carson’s sonnet cycle The Twelfth of Never is remarkable for its dense allusive texture that is not an end in itself but a means of exploring various constructs of Ireland and its history. Viewed as a body of poems, the sonnets create a metaphorical space that erodes the difference between fact and fiction, the colonial and anti-colonial clichés of Irishness and draws the reader into a game with the established literary modes. Therefore the current paper analyses the transformations of the sonnet form and the interplay between the Irish and English poetic traditions in The Twelfth of Never and their implications for the revision of stereotypical concepts essential to the metanarrative of Irish history.

References

Andrews, E. (ed.), (1996) Contemporary Irish Poetry: A Collection of Critical Essays. London: Macmillan.

Bakhtin, M. (1981) The Dialogical Imagination. Four Essays by M.M. Bakhtin. Austin: University of Texas Press.

Carson, C. (1997) Last Night’s Fun: In and Out of Time with Irish Music. New York: North Point Press.

Carson C. (1999) The Twelfth of Never. London: Picador.

Kelleher, M. and O’Leary, Ph. (eds.), (2007) The Cambridge History of Irish Literature. Volume II 1890-2000. Cambridge: Cambridge University Press.

Downloads

Published

2012-10-01

How to Cite

Saliņa, E. (2012). Imaginary Irelands in Ciaran Carson’s sonnet Cycle "The Twelfth Of Never". Baltic Journal of English Language, Literature and Culture, 2, 87–93. https://doi.org/10.22364/BJELLC.02.2012.08