Experiences of Melancholy in Rose Tremain’s Novel Music And Silence

Authors

DOI:

https://doi.org/10.22364/BJELLC.01.2011.09

Keywords:

melancholy, madness, unreason, Michel Foucault

Abstract

The current paper shows how the experiences of melancholy are represented in Music and Silence (1999), a postmodernist historical novel by Rose Tremain. Tremain’s novel suggests that the experience of melancholy and the workings of the imagination are interconnected in a variety of ways. It represents the experience of melancholy within the broader context of the relations between the understanding and the imagination as well as between reason and unreason in the first half of the seventeenth century. Tremain’s novel makes a valuable contribution to the ongoing debate about reason and unreason, which is an important part of the postmodernist debate with Enlightenment culture.

References

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Burton, R. (1977) The Anatomy of Melancholy. London and Toronto: J.M.Dent & Sons Ltd.

Cutrofello, A. (2005) Continental Philosophy: A Contemporary Introduction. New York and London: Routledge. DOI: https://doi.org/10.4324/9780203482100

Derrida, J. (2004) Cogito and the History of Madness. In Drolet, M. (ed.) The Postmodernism Reader: Foundational Texts. London and New York: Routledge.

Foucault, M. (1972) Histoire de la Folie à l’âge classique. Paris: Gallimard.

Foucault, M. (1988) Madness and Civilization: A History of Insanity in the Age of Reason. New York: Vintage.

Pascal, B. (2010) Pensées. Available from http://oregonstate.edu/instruct/phl302/texts/pascal/pensees-a.html [Accessed August 15, 2010].

Rosen, G. (1963) Social Attitudes to Irrationality and Madness in 17th and 18th Century Europe. Journal of the History of Medicine and Allied Sciences, 18 (3). DOI: https://doi.org/10.1093/jhmas/XVIII.3.220

Tremain, R. (2000) Music and Silence. London: Vintage.

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Published

2011-11-01

How to Cite

Taube, A. (2011). Experiences of Melancholy in Rose Tremain’s Novel Music And Silence. Baltic Journal of English Language, Literature and Culture, 1, 71–79. https://doi.org/10.22364/BJELLC.01.2011.09